I watched
Law and Order: Special Victims Unit this week. The episode was “Father’s Shadow”
and aired on 2/8/2012. The use of mis en scene greatly contributes to the plot
and theme of the episode. Detectives Olivia Benson and Nick Amaro convict Mr.
Sandal, a reality show producer, of multiple sex crimes. But the true focus of
the episode is the effect on his 19-year-old son, Eddie. Eddie suffers from a mental
breakdown of feeling betrayed by his girlfriend and abandoned by his convicted,
selfish father. As a result, he takes his somewhat older girlfriend, Jess, and
her four year old daughter, Lily, hostage. Mis en scene become very relevant
when Jess walks into their apartment and Lily is sitting on Eddie’s lap, while
he slowly points a gun at her head. The idea of sitting on someone’s lap
conveys comfort, trust, and love. But the gun suggests otherwise. Later, Detective Benson is
attempting to negotiate with Eddie to keep everyone safe while he is inside the
apartment and she is outside. As he begins to listen to her, he opens the door
wider. But when she loses his trust, he slams the door shut. The door and its
mis en scene motions represent Eddie’s state of mind. He transforms from trusting
and cooperative to close-minded and shut out in a second. The door serves as a visual to portray this transformation.
February 10, 2012
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.